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Total ratings: 1622
Length: 7:04
Plays (last 30 days): 2
Ask my bluebird to sing you, from the heart of a wishing well
Call all my reindeer to graze here, call all my grain to grow
Then together we flow like the river
Then together we melt like the snow
Many a thought unanswered, many a tale to tell
Ask my bluebird to sing you, from the heart of a wishing well
If you should ask me to give you the reason for life that we know
Then together we flow like the river
And together we melt like the snow
Many a mile to freedom, many a smile to tell
Ask my bluebird to sing you, from the heart of a wishing well
If you should ask me to give you the reason for life that we know
Then together we flow like the river
Then together we melt like the snow
A few more miles to go
Miles to freedom
@westslope - I bet that was CHOM-fm. I was a runner there Love this album, esp Low Sparks. An important song for me and my best friend Tom. Ask me separately about partying w Jim Capaldi in St Andrews Scotland spring 78 …him playing piano at my gf’s house and us drinking the place dry …
Yes! It was CHOM-fm. I could pick it up in my parent's living room in Ottawa by antennae. Simply outstanding.
I can still hear the CHOM-fm jingle in my head. Quebecois pop at the time was so original and full of energy.
I found your radio station today while searching for something new to enjoy during my work day. I love it already.
I bought this album in 1973 and have been loving it ever since. It is one to play end to end.
Always thought the vocals were kind of boring, but My God! The guitar work at the end!
Dave Mason is one of the most underrated guitar players of all time, imo.
"Call on my reindeer to graze here"
Such a great Solstice song :)
EDIT: I was lucky. I listened to a Montreal FM station back in the day that played lots of Traffic and some of my buddies were Traffic fans.
Funny how I appreciate this even more almost half a century later.
I'm not a big fan of this tune, but thankfully it doesn't have Supertramp's boohoo whinging vocals.
Much better than 70% of Supertramp songs.
Great song from an absolutely great classic album.
I'm not a big fan of this tune, but thankfully it doesn't have Supertramp's boohoo whinging vocals.
Pistols at dawn!
All the good ones will be copyright protected. As far as I know Wikipedia uses royalty-free images.
What a double bill!
It's the lead guitar work for me. Sort of haunting, just seems like it's coming from the soul.
If you lived within broadcast range of a station that overplayed this track, you were very lucky indeed. It's not one you'll find on anybody's "most played songs of 1970" list...
Yeah... I played it all the time when it was released. It then more or less became the soundtrack to a Colorado summer trip to Colorado when there was no plan except to drink Coors, camp, drink Coors, ride 10-speeds down mountain passes, drink Coors, swim, drink Coors, get high, drink Coors.....
I sure wouldn't want to get hit in the middle of the road by the pretentiousness bus while listening to this wonderful classic that was apparently overplayed 47 years ago.
it was one of my all time favorites.
Still good but . . . I guess it's the sound quality in streaming is just not the same.
Unfortunately yes.
Steve your the man!
Just curious though, and asking as a newcomer to RP, would you (Bill) play such a long song as john barleycorn? — Not asking if you "are allowed" of course — just whether you ever do. The obvious dylan jeremiads... Extra long jams... Is it easier/harder to stretch out your time on the internet vs radio?
Anyway, great set. Thanks for the skillfully woven birds, flutes, etc.
While in 'song commentary' mode, if you click on the band name (in this case, 'Traffic'), you will be taken to a page displaying the last 20 songs by that group played on R.P. If, as in this case, the song you are wondering about doesn't appear there, you can do a search of the song name. In this case, John Barleycorn was played back on Jan. 25th...
Just curious though, and asking as a newcomer to RP, would you (Bill) play such a long song as john barleycorn? — Not asking if you "are allowed" of course — just whether you ever do. The obvious dylan jeremiads... Extra long jams... Is it easier/harder to stretch out your time on the internet vs radio?
Anyway, great set. Thanks for the skillfully woven birds, flutes, etc.
On the other hand I don't know why they were not "HUGE".
Maybe because they repeated versions of a bunch of tunes on lots of albums.
Kinda, sorta like some of today's artists.
I'm not a big fan of this tune, but thankfully it doesn't have Supertramp's boohoo whinging vocals.
This one does meander a bit.
or the mixing consoles. This is a very muddy track, even by Traffic standards.
Agreed. Love this song, thanks.
Bill, thanks for mercy upon us. Some whippersnappers here just don't get that Steve Winwood cut his musical teeth at 16. Show me Brit rock better at that age and I'll go eat my guitar, hat, girlfriend and my dog. No..........not my guitar
If you said "This is an incredible album, I play it all the time," then I agree with you!
Listen to this solid album of work all the way through when you get a chance.... guaranteed to satisfy!!
Ooooh!
First musical frisson this morning.
Yeah, me too, which qualifies the song for at least a 9 rating for me.
You bet! I wore this LP (and homemade cassette) out back in the day and had to retire it for several years. Now it's a very welcome old friend.
Earlier Traffic I can listen to anytime and never tire of hearing (Paper Sun, Dealer, et al.)
Agreed! not so much on my morning commute...
this is great.
Yeah... I played it all the time when it was released. It then more or less became the soundtrack to a Colorado summer trip to Colorado when there was no plan except to drink Coors, camp, drink Coors, ride 10-speeds down mountain passes, drink Coors, swim, drink Coors, get high, drink Coors.....
Had a similar experience with this album on a trip to Hatteras where we listened to music on the tape deck until the VW battery ran down and we had to push-start it. Music, surf, and whatever beer was on sale at Connor's Market.
Them was the days.
Yeah... I played it all the time when it was released. It then more or less became the soundtrack to a Colorado summer trip to Colorado when there was no plan except to drink Coors, camp, drink Coors, ride 10-speeds down mountain passes, drink Coors, swim, drink Coors, get high, drink Coors.....
Christopher Gordon Blandford 'Chris' Wood (24 June 1944—12 July 1983) was a founding member of the English rock band Traffic, along with Steve Winwood, Jim Capaldi, and Dave Mason.
In Traffic, Wood primarily played flute and saxophone, occasionally contributing keyboards and vocals. Wood also co-wrote several of Traffic's songs, particularly during the earlier period of the band's recording career. His most notable contribution is as the co-writer (with Steve Winwood and Jim Capaldi), of "Dear Mr. Fantasy".<3>
Wood played with Jimi Hendrix in 1968, appearing on Electric Ladyland. While Winwood temporarily joined supergroup Blind Faith in 1969, Wood, Mason and Capaldi joined Mick Weaver of Wynder K Frog, playing first as Mason, Capaldi, Wood and Frog, but soon as "Wooden Frog".<4> He then went on to tour the United States with Dr. John, where he met singer Jeanette Jacobs (formerly of the 1960s girl group The Cake). Wood and Jacobs married in 1969, when he was 25 and she was 19.
In 1969, Wood also appeared on the eponymous second album of Free and the Small Faces' The Autumn Stone. In 1970, Wood and his wife, along with Steve Winwood, joined Ginger Baker's Air Force, releasing one album before reforming Traffic. Wood remained with Traffic from the time of its 1970 reformation until its 1974 breakup. He played on John Martyn's Inside Out (1973).
Through much of his life, Wood suffered from addiction to drugs and alcohol, which were initially attributed to a fear of flying.<1> His wife Jeanette, from whom he had separated but was still on good terms, had died in 1980, at the age of 30, from the effects of a seizure. Wood was profoundly affected by her death.<1>
To those who are complaining because of the length of this song, feel free to go elsewhere and listen to "Rockaway Beach" or some other three-minute dazzler. See you when you come back (and I'll probably still be here, listening to this song with a contented grin on my face.)
I just did that, actually. Good to hear this fave again!
To those who are complaining because of the length of this song, feel free to go elsewhere and listen to "Rockaway Beach" or some other three-minute dazzler. See you when you come back (and I'll probably still be here, listening to this song with a contented grin on my face.)
hencini wrote:
https://www.youtube.com/watch?v=zgUwd2Gkb-E
Yup. In the immortal words of Joe Strummer: f*ckin' long, innit? That's me away to make some tea, then.
Ooooh!
First musical frisson this morning.
Thankfully!
...
I am not really fond of this song, though!
Certainly one of the "weaker" ones on the album!
WHY, I WONDER, DO YOU, BILL, do not play other
TRAFFIC albums as often? Or do you?
... ...?
WHAT ABOUT "BARLEYCORN"?
it just feels great to hear this song again, thank you!
The title-Track is beyond any rating - that special, that good!
I am not really fond of this song, though!
Certainly one of the "weaker" ones on the album!
WHY, I WONDER, DO YOU, BILL, do not play other
TRAFFIC albums as often? Or do you?
What about "When the eagles flies", what about "Canteen"...?
WHAT ABOUT "BARLEYCORN"?
I think it is time for "Walking In The Wind" from When the Eagle Flies. It has been over 8 years since it played here. And had a rating of 7.7!! Better than many songs we enjoy from Bill and Rebecca.
... you're pushing the envelope.
use them on a tune whose name escapes me just now?
I think Pearl Jam also ripped off the keyboard progression for Don't Call Me Daughter...
One great album here. Thx Bill.
The early solo stuff was pretty bland, for sure.
Give his last three albums, Refugees of the Heart, About Time, and especially Nine Lives a listen.
I also recommend his work with Stomu Yamashta and Go, which is getting hard to find but well worth it.
Indeed - Indeed!
His work with Yamashta and GO was fantastic!
With Kevin Ayers to...?
Yes, you could. Make it a song about the devil within and weight loss. Kilos to freedom.....
When it sounds nice!? Why not use the flute!
There is always a place for CHRIS WOOD!
In my heart anyway!
The title-Track is beyond any rating - that special, that good!
I am not really fond of this song, though!
Certainly one of the "weaker" ones on the album!
WHY, I WONDER, DO YOU, BILL, do not play other
TRAFFIC albums as often? Or do you?
What about "When the eagles flies", what about "Canteen"...?
WHAT ABOUT "BARLEYCORN"?
Even though all RP Tull-haters proclaim that there's no place for the flute in rock.
When it sounds nice!? Why not use the flute!
Even though all RP Tull-haters proclaim that there's no place for the flute in rock.
Sounds like an off centered hole in the vinyl
use them on a tune whose name escapes me just now?
The early solo stuff was pretty bland, for sure.
Give his last three albums, Refugees of the Heart, About Time, and especially Nine Lives a listen.
I also recommend his work with Stomu Yamashta and Go, which is getting hard to find but well worth it.
Really cool song, I have never heard this.
I found your radio station today while searching for something new to enjoy during my work day. I love it already.
That is why we come here! Thanx RP!